Some people will remember my mother as a young beautiful woman with a jaw line suggesting determination and more than a little resistance to rules. They might remember her Sexy Eyes Downcast–a refusal to look at the camera. Introspection.
Many will remember her as a passionate reader and teacher. (All the while looking like Lena Horne.)
I am afraid that not many will remember Audrey Dohmeyer Wasson Curley as a poet. That’s because she almost never talked about writing, publishing, her craft. I thought of her craft as the cigarette smoke after dinner, and the tap tap tap I heard on the typewriter late at night. If I couldn’t sleep (often) I’d come down and she’d make me a tuna sandwich and ask what was worrying me. Her being at the dining room table typing, crumpled paper at her feet, the scratchings on pages she’d placed on the kitchen counter–these things were just part of our life together. Mom and Kir on Pennsylvania Ave.
Fifteen years ago she died unexpectedly. I was on a plane coming to see her because she’d not been feeling well, but Mom was hardly seriously ill–as far as we knew. She’d collapsed in her kitchen and then, barely conscious, called an ambulance. Emergency room for one night and then they let her out; she called a cab to get home. Something wrong with her heart. By then I was on my way. She died at home-hours before I got there.
When I decided to change my life a year and a half ago, one of the few things I threw into the Prius was a folder of Audrey’s poems that I’d found while packing up. I didn’t really know what the folder was. I mean, I’d read some of her poems, and knew she’d published a little bit… But last week I looked more closely. I never knew she had a poem published in Art Journal.
And the folder was jam-packed full of poems, one onion skin sheet after another. One about the marriage to my dad, and the cat “Fatty” that survived that relationship:
“Lean, tough and nasty. How we respected her violence,/learned ornithology and swooped in/to save her victims/And by the time we killed/the marriage she was slow, striking/out from a secret place under the table/ to rake any thighs available…”
Poems about her romantic life after my dad–one about being on a picnic with a new lover (Dan,who would become my stepfather):
“As I scuttle for shelter/from irony in the scrubby grove,/history that wets the world/and fear of love/he shows me a place/stripped dry enough for hunger,/ wonder sharp as a new small stone.”
Poems about art, teaching, birdwatching. One of her later poems is about the grandson with whom she fell in love, entitled, “Noah Daniel, First Birthday”:
“Our dearest men/are ageless. Look at you, Noah….Your pose prefigures,/(time runs both its ways)/Dan’s restive stance/face reflective in the mirror…”
Noah was six when she died. The last line of this poem is:
“I see you, Noah,/not so many birthdays hence/hand on jutted teenaged hip/checking out the water/looking to step in.”
Noah looks a lot like Audrey.
I knew Audrey was an amazing mother, teacher, single woman (in 1969? Not Easy), and someone who wrote poetry. I just didn’t realize that she was a serious artist. I’m pretty sure that she didn’t either. That wasn’t her style.
So, as they say: IN CONCLUSION. My mom ended a poem called “Aesthetics” with this:
“The Earth itself remembers./Poems and photographs/will not be needed as monuments/to moments we have been.”
Poems and photos not needed? I am so grateful for both her photos and poems.
I haven’t quoted lines from the poems that my mom wrote about me. I can hear her: “Oh God no, Kir! For a mother’s day piece? Hideously tacky.” Audrey still guides me. Away from self-indulgence.
But please allow me to quote a few lines from one of the many poems I’ve written about her:
(I had a dream while selling my Ithaca house; Audrey appeared, wanted to take a walk. She was annoyed that I was aging.)
“My tall mother, dead and impatient in turtleneck
and short skirt, hiking the marsh while I try to sell
an old house. She’s speaking of melting, the ground soft:
‘Almost everything takes forever, you know.’ Then
she spots a green shoot, a white bud: ‘A snowdrop. Look.'”
As I know her, Audrey is on the look out. She’s got her eye on art, birds, the word, and love.
She’s “checking out the water/looking to step in.”
Here: a month before she died.
Happy Mother’s Day, Dear Reader. In some way or other-Honor your mom!
lostandlaughinginla 